Sabrina Clarke



My new trombone quartet, A Dark Place is Not a Dark Place, commissioned by the Elysian Trombone Consort, will be premiered at the International Women’s Brass Conference in May, with an additional performance at the International Trombone Festival in July.

This summer I’ll return to teach music theory and composition at the Young Women Composers Camp. This is a remarkable and inspiring program that provides young composers with once-in-a-lifetime performance and collaborative opportunities, and an all-around outstanding educational experience, and I’m thrilled to be a part of it.


This is the introductory/summary video for my paper "'Where Everything Is Silent': Time, Memory, and Fate in Dallapiccola's Il prigioniero (1948)" delivered at the "Time in Opera" seminar at the 2018 National Meeting of the American Musicological Society and the Society for Music History.


Read about #femalecomposerfriday and strategies for inclusivity in music theory on my blog, Music Theory, Diversified: 


The Sisterhood of Composer/Performers

The Sisterhood of Composer/Performers, a collaboration between composers Anne Neikirk, Krystal Folkestad-Grant, and Sabrina Clarke, was launched in the summer of 2017.  The group exists both to showcase piano music by women composers, and to educate the community about the lives and careers of these women and how they coped with the societal gender conventions of their times. Sabrina Clarke and Krystal Grant play music by Chaminade, Beach, Mendelssohn, Carvajal, and others, as well as new compositions by the three members of the Sisterhood.  Their inaugural concert season included performances at Temple University in Philadelphia, at the Trust Performing Arts Center in Lancaster, PA, at Norfolk State University in Norfolk, VA, and at McDaniel College in Westminster, MD as part of the Evelyn Mackenzie Performance Series. 

The 2017 - 2018 program featured “Summer Dreams” (1901) by Amy Beach; Album des enfants, Opus 123 (1906) by Cecile Chaminade; Tres Miniaturas (1988-1991) by Ailem Carvajal; and Song from Four Songs for Piano, Op. 6, No. 3 (1847) by Fanny Mendelssohn.  The concerts also included “She Persisted” (2017), by Neikirk; “and other stories (a bildungsroman)” (2017) by Clarke; and “Improvisation” (2018) by Grant.